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If you’ve come looking for episodes of the podcast we keep talking about, you’re in luck!
Episode 4
EVERYTHING EVERYWHERE ALL AT ONCE
36 min | RATED R
In this episode of IMHO: In My Hollywood Opinion, the crew dives headfirst into Everything Everywhere All at Once—and yes, they get distracted about twelve times but that’s part of the multiverse experience. We start with Evelyn Wang, a stressed laundromat owner just trying to survive tax season, when suddenly her husband Waymond goes full action-hero in the IRS office. Cue all of them interrupting each other trying to explain verse-jumping, bagels, and why googly eyes are suddenly profound. As we hop universes, the hosts compare favorites: someone is way too passionate about the hot-dog finger universe, someone else can’t stop talking about Racaccoonie, and inevitably they end up debating whether they personally would survive a universe where we’re rocks. (Consensus: no. Absolutely not.) They also break down the emotional heart of the film—Evelyn and Joy’s relationship—while still pausing every two minutes to ask, “Wait, did we all cry at the same scene?” (Yes.) Of course, the conversation spirals into whether they’d be chosen-ones in the multiverse (answer: probably not), whether they’d trust an everything bagel with the power to end reality, and which one of them is the Waymond of the friend group. They even argue about whether they’d rather be the glam-movie-star Evelyn or the hibachi Evelyn with the raccoon. Priorities. By the end, they manage—somehow—to agree that the movie is chaotic, heartfelt, deeply weird, and kind of perfect. Join them as they unpack the madness, the meaning, and every wild tangent in between.
“We Watched EEAAO and Now Every Version of Us Is Tired”
Episode 3
SCREAM
25 min | RATED R
In this episode of IMHO: In My Hollywood Opinion, the hosts dive into Wes Craven’s iconic slasher–satire Scream, bringing their usual chaotic energy, tangents, and film-nerd enthusiasm. The conversation begins with declarations of undying love for Billy Loomis and a spirited detour into the surprising filmographies of Skeet Ulrich and Matthew Lillard. Once everyone wrangles themselves back on topic, the group recaps Scream’s blend of horror, comedy, and meta-commentary, following Sidney Prescott as a masked killer terrorizes her small town one phone call at a time. The hosts break down the movie’s famously self-aware structure—its “rules” of horror, its clever twists, and its love-letter-meets-parody tone. They debate the film’s gore (which some remember… differently), discuss standout kills like Tatum’s garage-door demise, and celebrate the iconic Ghostface voice. Major plot beats resurface: Sidney’s grief, Gale Weathers’ relentless reporting, Dewey’s earnest incompetence, and the climactic twist revealing not one, but two killers—Billy and Stu—complete with fake blood, staging, and a failed attempt to frame Sidney’s father. Along the way, the group wanders into discussions about Scary Movie, Scooby-Doo, Frozen II conspiracies, and what makes slashers fun in the first place. They end by rating the film: some see it as a cultural classic, others find it enjoyable but “on the nose” without deeper horror context. Still, the verdict is clear—Scream remains a sharp, clever, endlessly entertaining entry point into horror, even if (ironically) there isn’t as much actual screaming as expected.
“Ghostface, Please Stop Calling—We’re Recording a Podcast”
Episode 2
ALIEN
22 min | RATED R
In the premiere of IMHO: In My Hollywood Opinion, the hosts dive into Ridley Scott’s Alien — a film equal parts sci-fi classic, body-horror nightmare, and surprisingly deep thematic text. The group opens with immediate impressions: admiration for Sigourney Weaver’s iconic performance, respect for Jonesy the cat (the true survivor), and debate over whether the film is basically Among Us in space. As they recap the plot, the hosts walk through the Nostromo crew’s fateful decision to investigate a mysterious distress signal, the discovery of the alien eggs, and the facehugger’s brutal “impregnation” of Kane — which sparks a larger conversation about the film’s symbolism. They discuss the Xenomorph as a deliberately grotesque, masculine-coded creature and how the movie uses body horror, violation, and helplessness to explore themes of sexual assault. Even specific scenes, like Ash attacking Ripley with a rolled magazine, take on new meaning in this context. The group also praises the movie’s atmosphere: its long quiet stretches, massive yet claustrophobic ship design, and the way tension builds as the Xenomorph grows while the characters’ world shrinks around them. They critique one moment of gratuitous sexualization, but largely agree Alien earns its reputation. Ratings range from 6 to 8 out of 10 depending on personal taste, squeamishness, and appreciation for horror. The episode wraps with jokes, talk of cats as protective talismans, and the unanimous lesson learned: maybe don’t touch strange eggs on alien moons — and definitely hug your cat today.
“We Watched Alien and Now We’re Afraid of Literally Everything”
Episode 1
KPOP DEMON HUNTERS
41 min | RATED PG
In this episode of In My Hollywood Opinion (Rated R for Ridiculous), the crew dives into the chaotic, colorful world of K-Pop Demon Hunters. The animated film follows Rumi, Mira, and Zoe—international K-pop superstars by day and demon-slaying warriors by night. The group belongs to a long lineage of music-powered demon hunters, from doo-wop trios to disco divas, all united in their mission to keep the human and demon worlds separated by maintaining the mystical Golden Honmoon. The hosts share their first impressions: some were instantly obsessed, others baffled by the title, and one hilariously declared themselves “not the target audience.” They praise the film’s expressive animation—part of the recent renaissance sparked by Spider-Verse and Puss in Boots—and its willingness to embrace exaggerated faces, dynamic color, and strong stylistic choices. As the story unfolds, Rumi’s secret heritage as a half-demon threatens her group’s unity. Her growing bond with Jinu, a member of the rival (and demon-controlled) boy band Saja Boys, complicates her loyalties. When Rumi is exposed onstage and betrayed by illusions of her friends, she spirals into fear and self-doubt, leading to an emotional confrontation with Celine, her mentor. The film blends catchy musical numbers (“Soda Pop” and “Golden” get special praise), heartfelt themes of self-acceptance, and high-energy demon battles. Throughout the episode, the hosts mix analysis with chaotic tangents—from Frozen 2 crying sessions to Fortnite skins—capturing exactly why K-Pop Demon Hunters has become a quick favorite.